I have seen the very
children thronging to kiss the hem of his robe, as he walked through the
streets; but, oh, my friend, did not Jerusalem bring palms and spread
its garments in the way of Christ only four days before he was
crucified?"
The monk's voice here faltered. He turned away and seemed to wrestle
with a tempest of suppressed sobbing. A moment more, he looked
heavenward and pointed up with a smile.
"Son," he said, "you ask _what hope there is_. I answer, There is hope
of such crowns as these wear who came out of great tribulation and now
reign with Christ in glory."
OUR ARTISTS IN ITALY.
LANDSCAPE ART.
A representation of Nature, in order to be a true landscape, must be
organic. It must not present itself as an aggregation, but as a growth.
It must manifest obedience to laws which are peculiarly its own, and
through the operation of which it has developed from the moment of
inception to that of maturity. And, moreover, that inception must have
been near a human heart, that development must have been nourished by
vitality derived from human life, and that maturity must be that of the
divine unity to which tend all the mysterious operations of organizing
energies.
We hold this to be the first essential condition of Landscape Art, the
condition without which no rendering of Nature can be Art. Other
points of excellence may be unattained. Let this be evident, that the
production is an offspring of humanity, and it shall be perceived also
that it partakes of whatever immortality the human heart inherits.
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