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Various

"The Atlantic Monthly, Volume 11, No. 65, March, 1863"

They sang a song together, and withdrew into
the theatre, whither the public were invited to follow them at the
inconsiderable cost of a penny a ticket. Before another booth stood a
pair of brawny fighting-men, displaying their muscle, and soliciting
patronage for an exhibition of the noble British art of pugilism.
There were pictures of giants, monsters, and outlandish beasts, most
prodigious, to be sure, and worthy of all admiration, unless the artist
had gone incomparably beyond his subject. Jugglers proclaimed aloud the
miracles which they were prepared to work; and posture-makers dislocated
every joint of their bodies and tied their limbs into inextricable
knots, wherever they could find space to spread a little square of
carpet on the ground. In the midst of the confusion, while everybody was
treading on his neighbor's toes, some little boys were very solicitous
to brush your boots. These lads, I believe, are a product of modern
society,--at least, no older than the time of Gay, who celebrates their
origin in his "Trivia"; but in most other respects the scene reminded
me of Bunyan's description of Vanity Fair,--nor is it at all improbable
that the Pilgrim may have been a merry-maker here, in his wild youth.
It seemed very singular--though, of course, I immediately classified
it as an English characteristic--to see a great many portable
weighing-machines, the owners of which cried out continually and
amain,--"Come, know your weight! Come, come, know your weight to-day!
Come, know your weight!"--and a multitude of people, mostly large in the
girth, were moved by this vociferation to sit down in the machines.


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