In both cases the ground is worked with fine gold threads
'couched' in a zigzag pattern, the rest of the work being very finely
executed in split-stitch by the use of which apparently continuous lines
can be made, each successive stitch beginning a little _within_ that
immediately preceding it--the effect in some places being that of a very
fine chain-stitch. The lines of this work do not in any way follow the
meshes of the linen or canvas, as is mostly the case with book-work upon
such material, but they curve freely according to the lines and folds
of the design. It will be recognised I think by art workwomen skilled in
this kind of small embroidery, that the methods used for ornamenting the
canvas binding of this book are the most artistic of any of the various
means employed for a similar purpose, and I know of no other instance
which for appropriateness of workmanship, or charm of design, can
compare with this, the earliest of all.
The figure of the Virgin Mary, on the upper side, is dressed in a pale
red robe, with an upper garment or cloak of blue with a gold border. On
her head is a white head-dress, and round it a yellow halo; just above
is a white dove flying downwards, its head having a small red nimbus or
cloud round it. The Virgin holds a red book in her hand. The figure of
the angel is winged, and wears an under robe of blue with an upper
garment of yellow; round his head he has a green and yellow nimbus, his
wings are crimson and white.
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