He who derives noble enjoyment from the
inward sentiment of poesy is a true poet, though he has never written a
line in his life.
My thoughts had taken this course, and I did not notice that this
confidence in man's capacity for education was strengthened in my mind
by external influences. I was walking along the edge of a field which
the peasants were preparing for the approaching sowing. The field was an
extensive one, like that in Holbein's picture. The landscape, too, was
of great extent and framed in broad lines of verdure, slightly reddened
by the approach of autumn, the lusty brown earth, where recent rains had
left in some of the furrows lines of water which sparkled in the sun
like slender silver threads. It was a blight, warm day, and the ground,
freshly opened by the sharp ploughshares, exhaled a slight vapor. At
the upper end of the field, an old man, whose broad back and stern face
recalled the man in Holbein's picture, but whose clothing did not
indicate poverty, gravely drove his old-fashioned _areau_, drawn by two
placid oxen, with pale yellow hides, veritable patriarchs of the fields,
tall, rather thin, with long, blunt horns, hard-working old beasts whom
long companionship has made _brothers_, as they are called in our
country districts, and who, when they are separated, refuse to work with
new mates and die of grief.
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